You Can See Everything Hits No. 1 at the Box Office — A24's Holmes Documentary Edges Clayface by $443,000 on Halloween Weekend
With a 39% drop and $64.7 million total, the Nathan Fielder documentary overtakes Warner Bros.' Clayface for its first weekend win.
A documentary about a woman who lets a camera rig scan her every move has done what a $40 million superhero movie could not: finished first at the North American box office. A24's *You Can See Everything* earned $11.45 million over Halloween weekend (October 30–November 1), according to The Numbers, edging Warner Bros. and DC Studios' *Clayface* ($11.00 million) by about $443,000.
It is the first time the film has led the weekend. It opened to $15 million on October 16–18 in a limited-to-wide rollout, then took second place behind *Clayface* the following weekend with $19.5 million. This weekend it slipped only 39% on 3,243 screens, for a per-theater average of $3,529 and a running domestic total of $64.7 million after 17 days.
*Clayface* did not hold up as well. Its second weekend fell 54% on 3,478 theaters ($3,163 per theater), leaving a 10-day total of $44.7 million. TheWrap reports a budget of about $40 million, which should still make it more profitable than most Warner Bros. releases this year, but the film will not catch *Wuthering Heights* as the studio's top 2026 grosser. Our own [Clayface review](/reviews/clayface-2026-review) called it gross fun and safe horror; its A- CinemaScore is the best grade of any body-horror film.
Sunday's estimates had the two films closer than the final numbers did. Studios reported roughly $10.6 million for A24 and $10.2 million for Warner Bros. on Saturday night; the actuals came in higher for both, and the gap widened from about $400,000 to about $443,000. Either way, the order did not change.
The rest of the top five
Laika's *Wildwood*, the 100% Rotten Tomatoes animated release we reviewed on October 23, took third with $8.95 million (down 27%) and $27.4 million after ten days. *Wicker*, Olivia Colman's fairy-tale horror, was fourth with $4.36 million (down 24%) and $13.5 million total, already five times its reported $2.5 million Sundance acquisition price. *Street Fighter* rounded out the top five with $3.66 million, a 57% drop, bringing its domestic total to $53.5 million against a pre-release model of $78.5–86.5 million.
The weekend's only new entry in the top ten was a live-viewing event, *BTS World Tour 'Arirang' in Buenos Aires and São Paulo*, which grossed $2.8 million from 1,010 theaters. The 65 films reporting took in $62.0 million in total, a quiet frame between October's horror-and-animation pileup and November's heavy slate.
What comes next
That slate arrives fast. *The Cat in the Hat* from Warner Bros. and GKIDS/Toho's *Godzilla Minus Zero* both open November 6, with tracking of roughly $25–45 million each, and Sony's *Ramayana* starts on Thursday, November 5. Both newcomers will compete for the same premium screens *You Can See Everything* has been filling. A24's film, which went wide on word of mouth, will need another shallow drop to stay in the top spot. Our [full review](/reviews/you-can-see-everything-2026-review) explains why the film has kept audiences talking: it begins as a portrait of Elizabeth Holmes and ends as something much stranger.
Related movies
Related articles
- You Can See Everything (2026) Review: Holmes, Unblinking — Nathan Fielder's Elizabeth Holmes Documentary Starts as a Portrait and Ends as Something Much Stranger
- Street Fighter Opens at No. 1 With $31 Million as A24's You Can See Everything Stuns With $15 Million
- Clayface Earns a Rare A- CinemaScore — the Highest Grade for Any Body-Horror Film, Tied With Superman for Best in the DCU
- A24's Doc Posts the 2nd-Best Documentary Opening Ever — Street Fighter Won the Weekend With $31 Million, But You Can See Everything Had 1,300+ Sellouts